A Year of PA Work

Yesterday, June 23rd, 2018 was the first year anniversary of working my first day as a Set Production Assistant on American Horror Story (AHS). While this day may fall two days before my birthday, I’ll forever remember it because it turned the tides of my life in Los Angeles into that of a favorable one. Let me share a truncated recap of that year working in Hollywood.

Before this fateful day, I had been utterly depressed; struggling with looming financial obligations that, frankly, were egregious for any city, let alone Los Angeles. Nevermind the medical bills I had yet to pay off or the cost of the gimped & laughable health care plan I had just purchased.

I had just passed six months in LA and was filled with rage and sadness, with no way to expel the negative energy swirling around me at all times. I kept my faux happy face on as I drove Lyft just to pay the bare minimum of my costs, knowing full well that this immediate income would never touch the detrimental effects that these thousands of miles had upon the life of my car (on which I still owed $15,000).

I took this first day with the utmost gratitude and worked as best as I could to ensure that I would get another. And I did. That second day, we worked in Orange, CA, and I was late. I thought for sure that I would never work a day again. A friend of mine had once said that “If you’re early, you’re on time; if you’re on time, you’re late; and if you’re late, you’re fired.”

Luckily, they kept me around, and I spent the next few months working a day here and there, slowly weening myself off of Rideshare Dependency. I didn’t drive as much when I made TV money, and so, I was able to work more on my writing. I lived like a pauper: eating the bare minimum, rarely going out to do anything – and regretting every penny if I did – and having zero savings of which to speak. The biggest blunder I committed was buying a Nintendo Switch with the one time I did have savings and paid for it dearly when the work dried up momentarily.

The same Assistant Director (AD) that gave me my first shot on AHS, got me some days on Legion, and I thought that was one of the coolest shows I had ever experienced filming (to be fair, it was the third ever). The visual style and the set design were something to truly behold. I had worked one day on the American Horror Story production company’s follow-up, 9-1-1, but hadn’t heard from them in a while.

Then, I got a request in November to work on 9-1-1 again. They were onto episode four, and there was an airport scene that was filming at the Ontario Airport. I was entirely nervous (as I am on any new production), but I didn’t let it get to me. I saw a lot of familiar faces here which helped the matter.

This day kept me working with Ryan Murphy Productions for several months until we wrapped in March of the following year. I became the unofficial fifth staff PA, except that I was treated as a staff PA. I received wrap gifts and was invited to the wrap party.

I had planned on taking a week off then visiting my family – especially my newborn nephew – after we wrapped, but was asked to work a four-day stint on movie reshoots for Skyscraper right before I departed. I had always wanted to work in films, and even narrowly missed a reshoot gig for Dwayne Johnson’s last film, Rampage. It occurred the same day as that airport shoot in Ontario for 9-1-1.

I went home for two weeks, and unfortunately, received a lot of calls to work on other production during that fortnight. When I got back to Los Angeles, I expected many more calls, but the work proved tepid once more. Ahh, the ebb and flow of the freelance life. I had to resort to driving Lyft again.

I hated driving in Los Angeles.

Luckily, some of these jobs eventually came back around, and I even continued to work with the same AD from Skyscraper, and a few of my fellow PAs from there. That job, Kidding, was the first show Jim Carrey had starred in since his In Living Color days. I was and still am a huge fan of his work, especially his more serious roles like Eternal Sunshine of the Spotless MindMan on the Moon, and my all-time favorite, The Truman Show.

And that’s where I stand now! I’ll work with the Kidding crew until I return to 9-1-1 in the middle of July, rejoining my first group of wonderful people. That’s the best secret of Hollywood: most people who work in the business are good people – or at least professional – sure, there are bad eggs, but the majority of crew members are hard-working and lively folks. It’s a pleasant surprise that many outside of the business wouldn’t discover based on the stereotype that perpetuates surrounding the industry.

If you take all of my music videos (as PA or 2nd AD), days in television, commercials, and movie reshoots, I worked 150 days in my first calendar year. 

That’s one hell of a year. Here’s to this year and my personal growth within the industry.

Thanks, Mike and Michelle,

-Jamie (@GuyOnAWire)


The downside of being a duteous Production Assistant is that Jamie doesn’t get to write as often as he would like. As of now, he’s taking a breather before he rewrites his Cancer Story, and hopes to write and talk about movies again soon. But when he has a moment, he continues a rewrite of a screenplay he hopes to sell one day! Never stop working on what you love! Jamie won’t!


 

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