Let’s start with the obvious. I’ve been away from this channel for quite some time, and yeah, I miss it. I thought that in order to be more productive in my writing career, I had to focus on the projects that could lead to paid gigs, like my screenplays. But then, I’d get home after a long day, and I’d do nothing, or waste time. The point is, I wasn’t writing.
When I wrote new blog posts in the past, it utilized a different part of the brain, but at the end of the day, I used my brain. The constant stream of output allowed the narrative functions to relax, and the analytical processes to ignite. I loved the feeling of being productive in multiple facets. If I was able to paint something (that I didn’t hate), I’d do that more, but even if I painted something God awful now, it would serve the same purpose as a blog. It’s an expression of the mind through other channels and that’s freeing. I miss that.
Another late Top Ten list, but I wanted to watch as many potential #ConTENders as possible before I made my final tally. Then, I found myself with more work in television than ever before. And yet, I STILL missed some big films. But, we will get into that soon enough. Catch up with my Top 15 of 2015, and my Top Ten of 2016 if you’d like.
For those of you who read my blog, I’m attempting to be more active during my recent spur of consistent (and welcomed) work on 9-1-1. And since, many of you readers don’t follow me on social media (rectify that here), I figured I would post an update on my upcoming content.
Can Martin McDonagh do no wrong? Or maybe the better question is can Frances McDormand do no wrong? I went into Three Billboards Outside of Ebbing, Missouri knowing practically nothing. I knew that Frances McDormand had been getting a lot of Oscar buzz, that this film was directed by Martin McDonagh, and that three billboards may be involved (hey, to be fair many indie films don’t necessarily evoke their titles).
And I wasn’t let down. What I know now after coming out of the film is that Frances will most certainly win her category at this year’s Oscars, Sam Rockwell will win for Best Supporting Actor, and a two-hour film can transcend its runtime and stay in your mind for days.
During one of my many days working as a Production Assistant on American Horror Story, another PA asked everyone an informal poll question: What’s most important to you? A lot of people said family, financial security, or love. My answer was the same reason I came out to Los Angeles in the first place: happiness. Thousands of people come here every year in hopes of attaining happiness and The Disaster Artist, is about Tommy Wiseau’s version of that: The American Dream.
I’ve been slacking. I’ll be the first to admit it. I meant to make an individual post about each film I had thought had a chance to make my Top Ten list of 2017, and between work and other projects, I have let you, fine readers, down.
To make it up to you, here are the films that may very well make my Top Ten list this year that don’t have their own post. For the previously posted see– Split | Get Out | Logan | Kong: Skull Island |
Wow, I didn’t post that many, did I? I hope you all didn’t think that I hadn’t seen any more great films! I will continue posting #ConTENders with the jam-packed fall and winter as scheduled. So stay tuned for that.Read More »
Can an alternate one-off superhero movie be any good? Can–
YES. Yes, it can. Logan is amazing.
I’ve been the biggest X-Men fan since I watched the 90s cartoon show and then first got my grubby little mitts on a special issue of What If? Specifically, issue #9 (Volume 2).
And Logan plays out like a movie version of “What If?” Logan is loosely tied to the rest of the series and is drastic in theme and tone. The film is best summed up as a post-apocalyptic western with mutants.