It’s that time of the year again! Ever since the #DLMChallenge of 2015, I’ve been fascinated with keeping track of all of the films I’ve watched over the year, even though it’s been a rather busy year! (See the lists for 2016 and 2017.)
I watched 121 Films TOTAL with 87 of those NEW TO ME.
I’m an amateur statistician, and this list is one of many for me. So here are some superlatives and statistics before I unveil the complete list (Top Ten of 2018 coming soon)!Read More »
While I never heard Donald Wade utter these words, I live by them each and every day. Sometimes to a fault; I’m hard on myself because I know those hours I sneak away watching mindless YouTube Videos don’t add to my career, but nevertheless, I’m maximizing my efficiency daily.
When I moved out to Los Angeles two years ago, it was to begin a chain reaction of goals in which to accomplish. I spent over a decade of my life post-cancer doing little regarding creativity or towards a profession. Sure, I went to school for four of those years and made some films, but the momentum from the education stalled, and I was left to wander aimlessly.
Traditionalism had never been my forte, whether via my recent marriage or the content we produced in The Guttersnipes. Our comedy troupe had been releasing some solid work and some mediocre work. I could tell that something was missing from these ideas, and I was adamant that it was the lack of a proper script framework. Ideally, to me, I thought if we had better prepared for the shoot, then maybe the quality would have been better.
Others in the group loved the improvisational approach to our comedic voice, and instead, questioned my edits or my contribution to shooting the videos. The improvisation wasn’t the issue for me, I just wanted a stronger framework around it to enable a more efficient workflow with the little time we had. Both arguments wanted the same thing: a better product. We were like the Hatfield and the McCoy’s facing off against one another without actually sitting down to listen to one another. The majority of the members stayed out of the tussle or never voiced their concerns (to me) directly.
Maine was going to be my basecamp for filmmaking success. At least, that’s what I decided. I mean it’s not as though I could move Deirdre and Kaitlyn to LA…
I toiled away on the Fort Thomas, but the scripts were slowing to a trickle, and I felt that Travis’ work should have been done by now. I was waiting on his finished artwork in order to create the animatic, so I didn’t want to rework the scripts so much that the animatic would be irrelevant.
With that essay, I handily won the Brian K. Welch scholarship and with it, a renewed desire to reacquaint myself with my passion. Around the same time, a wonderful employee at NESCom informed me of an annual poem collective called “Crosscut,” which was accepting submissions. I hadn’t been focused on poems much lately, but I knew that it would be a welcomed reprieve from my Photoshop and video projects.
I wrote four for the book and believe it or not, two were accepted! I was overjoyed with their literal acceptance of my work! To me, it was a validation that my entire career wasn’t a fluke! Three of the poems had rhymed, and for the fourth, I played with the notion of revision, forcing myself NOT to rhyme. Here are the four I had submitted (the latter two of which, were chosen):
Click through to hear the story of how it all came together and see each reaction from my brother & his fiancé, my Dad & stepmom, my Mom, my Goddaughter, and my Dad’s side of the family including my Memére.
One year. It’s been one year since I moved out west. Okay, so truth be told, I moved into my first apartment on November 8th but I’d rather not be linked to that day for obvious reasons. No, November 6th was the first day I laid my head down in California.
It appears that late October/ early November is a time of great change for me. Four years ago, I was shooting The Tale of the Three Brothers and simultaneously realizing that my marriage was over. Two years ago, I quit my longtime job at EMMC and began at Verizon. And last year, I moved across the country in pursuit of my future.
Jamie takes a look at the controversial film, mother! in his TIMELY review. Major spoilers from 2:07-7:35! I URGE you to watch the film before spoiling it for yourself. Seriously, go in knowing as little as possible.
Thanks to Collider for a great SPOILER-LADEN piece on the themes of the movie.